MEET ME IN DREAMLAND–Play Reading

By Cheri Steinkellner based on a concept by Jean Houston

Directed by Janeece Freeman Clark

Starring Ami Brabson, Maria Eberline and Danielle Ferland

What happens when three extraordinary career women are magically whisked from their respective microphones into an otherworldly space? Don’t miss this zany musical journey into the minds and hearts of three accomplished women in search of what unites them.

Cheri Steinkellner, playwright, has earned Four Emmy Awards, two Golden Globes, a Writers Guild, People’s Choice, Parents’ Choice, World Animation Award and the British BAFTA for writing and producing television’s Cheers and Disney’s Teacher’s Pet with her husband, Bill. Cheri received her first Tony nomination for Sister Act the Musical, and is an Ovation nominee and Indy award winner for book and lyrics for Hello! My Baby (with Irving Berlin, the Gershwins, Eubie Blake, and many more). Other TV: The Jeffersons, Who’s the Boss? Family Ties, The Facts of Life,Bob (Newhart), Hope and Gloria. Other stage includes the comedy Our Place, musicals PrincessesJailbirds on Broadway, and Mosaic (off-Broadway), and InstaPlay, L.A.s original and longest-running all-improvised musical.

Cheri teaches writing at Stanford University and UCSB, studies Depth Psychology at Pacifica Graduate Institute, and directs award-winning high school theatre productions in Kenosha, WI and Santa Barbara, CA where she and Bill live and raised their three favorite writers/artists/children: Kit, Teddy, and Emma.

Janeece Freeman Clark, Director

For several years, Janeece could be seen as Miss Molly on PBS’s Emmy Award-winning children’s television series: Dittydoodle Works. Her theater credits include: Broadway: Urinetown the Musical (Little Becky). Off Broadway: The Ark (Egyptus), Africa Plumbridge (Africa), and A Band of Angels (Ella). Janeece is a graduate of the University of Michigan. Directing credits include: Everything Is Fine Until It’s Not, which debuted at NY’s Fringe Festival to rave reviews, was a sold-out run, and the fastest selling show in NY’s Fringe Festival history; A Night In New Orleans (the story of a young Louis Armstrong), which premiered to critical acclaim at New Jersey Performing Arts Center; A Portrait of Ray, a musical about the legendary Ray Charles, which had it’s Off Broadway debut in 2016 at Symphony Space, and was presented at Symphony Hall as a part of the 2016 Newark 350 Celebration. Other directing credits include: Oklahoma, Hairspray, West Side Story, The Wiz, Godspell, Joseph and the Amazing Technicolor Dreamcoat, Aida, Annie, Into the Woods, Tarzan, Seussical, and the Music Man.

Janeece is in residence at New Jersey Performing Arts Center in the Musical Theater Department, and runs a private vocal studio in the town South Orange, NJ where she resides with her family. She is an active member of Midtown Direct Repertory Theater where she regularly performs in and directs readings of new plays.

Ami Brabson

Ami Brabson has had recurring roles in a number of television shows. She frequently appeared as Mary Pembleton in HOMICIDE: Life on the Streets. Ms. Brabson played Allison Trivas, a recurrring character in THE JURY, another Barry Levinson/Tom Fontana production. Other TV credits include LAW & ORDER SVUDAMAGESUNFORGETTABLE, LAW & ORDER, THE BEAT, WONDERLAND and various Soap Operas.

Brabson’s stage credits include the one-woman show, PHENOMENAL WOMEN, upcoming performance dates: Montclair State University, April 14th, 2018

Other stage credits include the New York Premiere of TOUGH TITTY by Oni Faida Lampley. Some of her favorite regional theater roles are Faye in Dominique Morisseau’s SKELETON CREW, Quilly in John Henry Redwood’s THE OLD SETTLER and Rose in August Wilson’s FENCES.

Ms. Brabson is an accomplished soprano and cabaret singer. She has performed at New York City venues as varied as Merken Concert Hall, The Metropolitan Room and Ashford & Simpson’s Sugar Bar. Ms. Brabson received her MFA from the NYU/Tisch Graduate School of Acting. amibrabson.com

Maria Eberline

Maria made her Broadway debut in Wicked, understudying the roles of Elphaba and Nessarose. Other credits include: National/International Tours of WickedFame, Grease, and Evita. Regional credits include: Jekyll and Hyde, West Side Story, Man of La Mancha, andOnce Upon a Mattress directed by Carol Burnett. TV/film credits: Unforgettable, Falling, 12 Steps to Recovery. Proud performing arts teacher at KIPP Bold Academy, and even prouder mom of nine-year-old Nate!

Danielle Ferland

Danielle Ferland is an actor/teacher/director who has been performing professionally since the ripe age of 10. She has appeared on Broadway in All My Sons, A Year With Frog and Toad, The Crucible and A Little Hotel on the Side (National Actors Theater), A Little Night Music (City Opera), created the role of Little Red Ridinghood in the original Broadway production of Into the Woods (Theatre World Award and Drama Desk nomination), and Sunday in the Park with George.

Danielle’s Off-Broadway credits include New Girl in TownShe Stoops to Conquer, and The Streets of New York (Irish Rep), Engaged (Theatre for a New Audience), Tartuffe (New York Shakespeare Festival), How I Learned to Drive (Century and Vineyard Theatres), Uncommon Women and Others (Lucille Lortel). Danielle’s television credits include Emmy and Golden Globe winner The Normal Heart for HBO (Estelle), The Good Wife(CBS), Law and Order SVU (NBC), and Inside Amy Schumer(Comedy Central).

Locally, she takes pleasure in her annual involvement in Clinton Elementary’s All School Musical Review.

Danielle is a proud member of Midtown Direct Rep. She resides in Maplewood with her husband Michael and her two sons.

About Theater at The Woodland
Midtown Direct Rep’s Theater at The Woodland is a series of readings of new plays and musicals in development, presented on Sunday evenings in the Parlor at The Woodland, right in the center of Maplewood Village. The readings include lively post-show discussions with the cast and creative team, fostering a fun and collaborative environment that allows the audience to be a part of the development of vital new works. Many of the plays presented by this reading series have gone on to major productions off-Broadway, in regional theaters, and beyond.